Film-Zeit auf 
| Crew • WIR SCHALTEN UM AUF HOLLYWOOD | ||
|---|---|---|
| Ausländische Titel: | Hollywood Revue of 1929 |
|
| Regie: | Charles Reisner | |
| Frank Reicher | ||
| Regie-Assistenz: | Jack Cummings | |
| Sandy Roth | ||
| Al Shenberg | ||
| Drehbuch: | Paul Morgan | |
| Kamera: | John M. Nickolaus jr. | |
| Maximilian Fabian | ||
| Irving Ries | ||
| John Arnold | ||
| Architektur: | Richard Day | |
| Cedric Gibbons | ||
| Kostüm: | David Cox | |
| Henrietta Frazer | ||
| Joe Rapf | ||
| Musik: | Ray Heindorf | |
| Arthur Lange | ||
| Ernest Klapholtz | ||
| Liedtext: | Nacio Herb Brown | |
| Arthur Freed | ||
| Raymond Klages | ||
| Lied: | "Singin' In The Rain"; "You Were Meant For Me"; "Low-Down Rhythm"; "For I'm The Queen"; " Gotta Fellin' For You"; " Strike Up The Band"; "Lon Chaney Will Get You If You Don't Watch Out"; " I Never Knew I Could Do A Thing Like That"; "Tommy Atkins On Parade"; " Nobody But You"; "Minstrel Day"; "Orange Blossom Time"; "Ministryl Day"; "Tableaux Of Jewels"; "Bones And Tambourines"; "Your Mother and Mine" | |
| Ton: | Douglas Shearer | |
| Russell Franks | ||
| Wesley Miller | ||
| Schnitt: | William S. Gray | |
| Cameron K. Wood | ||
| Darsteller: | Paul Morgan | |
| Buster Keaton | ||
| Ramon Novarro | ||
| Nora Gregor | ||
| Oscar Straus | ||
| Adolphe Menjou | ||
| Joan Crawford | ||
| Heinrich George | ||
| John Gilbert | ||
| Egon von Jordan | ||
| Norma Shearer | ||
| Dita Parlo | ||
| Wallace Beery | ||
| Sergej M. Eisenstein | ||
| Dodge Sister | ||
| Produktion: | Metro Goldwyn Mayer (MGM), Culver-City (Kalifornien) | |
| Produzent: | Harry Rapf | |
| Joe Cohn | ||
| Atelier: | Studios der Metro Goldwyn Mayer (MGM), Culver-City (Kalifornien) | |
| Länge: | 2232 m | |
| Format: | Schwarz-Weiß mit Farbanteilen von Technicolor; 35 mm; 1:1.33 | |
| Zensur: | 19.05.1931 | |
| Uraufführung: | 20.06.1929 (USA); 10.06.1931 (D) | |
| Uraufführungs-Ort: | Los Angeles | |
